Short Stories

The Goodbye Cat: Seven Cat Stories by Hiro Arikawa

The Goodbye Cat by Hiro Arikawa is a collection of seven short stories about cats, and is a follow-up to her novel, The Travelling Cat Chronicles (characters from the book appear in the stories, but it is not necessary to have read that title). It is a gentle, moving collection, which delves into human-animal relationships. Sometimes told from a cat’s perspective, the stories take place in ordinary Japanese households, and explore the cycle of life. 

Translated from the Japanese, The Goodbye Cat is part of the genre of “healing fiction”--cozy, quirky, sometimes fantastical, feel-good books that are popular in Korea and Japan, and have become a phenomenon in the U.S. Cats are frequently featured in the stories. Many readers find the stories offer comfort, and find reading these books to be a healing experience.

Read-alikes:
The Guest Cat by Takashi Hiraide
We'll Prescribe You a Cat by Syou Ishida
The Full Moon Coffee Shop by Mai Mochizuki
The Blanket Cats by Kiyoshi Shigematsu
She and Her Cat: Stories by Makoto Shinkai
The Curious Kitten at the Chibineko Kitchen by Yuta Takahashi

Norah Gilman, Cold Spring Harbor Library



Hotel California: An Anthology of New Mystery Short Stories edited by Don Bruns

This anthology of murder and suspense short stories may be short in length, but it isn't short on suspense or twists.

Bruns has brought together eight gifted mystery authors, four of whom are NY Times bestselling writers (Andrew Child, Heather Graham, Reed Farrel Coleman, and John Gilstrap). In addition, there are stories by Rick Bleiweiss, Jennifer Graeser Dornbush, Amanda Flower, and of course Don Bruns. 

Normally not a short story reader, I really enjoyed each of these stories. With the exception of Andrew Child (book/TV protagonist Reacher), I was not familiar with most of the authors in this anthology, so this was a nice way to be introduced to them. The book is well balanced, with no author excelling over any of the others. The intensity level and story length was just right. I would recommend this to mystery readers who might be just in the mood for a brief but satisfying story. 

"Go ahead. Check in, enjoy some room service, and stay until the very last tantalizing page. Just don’t forget to search the closet or behind the curtains."

Read-alikes:
The Best American Mystery and Suspense 2023 edited by Lisa Unger 
Golden Age Whodunits edited by Otto Penzler
Ink and Daggers edited by Maxim Jakubowski

Sue Ketcham, Retired



Exhalation by Ted Chiang

Exhalation is a collection of nine speculative fiction short stories by Chinese-American author Ted  Chiang. He is well known for his sci-fi short stories and has received many awards for his work  including the Nebula and Hugo awards.

Exhalation, written in 2019, is a collection of nine short stories. Each one is a different style, ranging from 1001 Arabian Nights-type fairytales to more traditional sci-fi writing. The stories range from quite  short (a page or so) to 50+ pages. Each story follows its own style to deliver its message most  effectively. While people may view speculative fiction merely as thrilling stories to entertain and amaze, it is more often used as a lens to examine problems we are dealing with in our everyday lives. By presenting a concept on another planet, or set in the future, or told from the perspective of a robot, we are able to examine these issues without taking immediate offense to them. This is the focus of  Exhalation - the stories address such issues as what happens when children are essentially raised by tech instead of people, the question of whether or not we have free will, the impact of technology on  humans, morality in the face of difficulties, artificial life and its worth compared to biological life, and  even what it means for children to grow up and become mature. By presenting these difficult topics in lands far far away, we are able to think about them objectively. 

Having said that, the topics presented in each story are quite heavy. There aren’t any funny or light-hearted stories to break it up, so I found it rather hard to plow through. If you are in an introspective  mood and enjoy a wide range of writing styles then this well-crafted book is for you. If you are looking  for something light-hearted and fluffy, I would pass on this one.

Read-alikes:
Axiomatic by Greg Egan
The Wandering Earth by Cixin Liu (author of Three-body Problem)
The Hidden Girl and Other Stories by Ken Liu

Carolyn Brooks, The Smithtown Library - Commack Building



Reunion Beach: Stories Inspired by Dorothea Benton Frank

In 2018, a year before passing away, Dorothea Benton Frank attended her fiftieth-class reunion, which inspired her next book idea. She would write a novel about the rivalries, cliques, and long-term friendships. Different characters would resemble South Carolina birds. She chose the title Reunion Beach. Sadly, in September 2019, Dorothea Benton Frank died and there was nothing but the idea for Reunion Beach. Her writer friends were inspired by the idea of Reunion Beach and together wrote an anthology of short stories, essays, poems, and more to honor the spirit of their dear friend, Dottie. 

Bridesmaids by Patti Callahan is about four college friends, now in their 60s reuniting in a Lowcountry island to sort out matters of the heart. While in college, the friends chose the type of bird that represents them, which becomes loving nicknames throughout the story. Summer of ‘79 by Elin Hilderbrand is a family reunion of familiar characters from Summer of ‘69. Adriana Trigiani wrote Postcards from Heaven, a series of fictional postcards written by late author Pat Conroy to Dorothea Benton Frank. The postcards welcome Frank into heaven and imagine how Frank would react upon entering heaven to see her dear friend, including the conversations they would have. Both heartfelt and funny. Mary Alice Monroe wrote a touching mother-daughter reunion. Each narrative flows seamlessly into the next, making the collection feel cohesive despite its multiple contributors.

Reunion Beach is perfect for fans of Dorothea Benton Frank and those who enjoy rich, character-driven stories with a Southern flair. It’s also a great pick for book clubs looking for engaging discussions on themes of love and community. This anthology promises to transport you to a world of heartfelt connections and coastal charm. It’s a wonderful homage to a literary giant and a delightful read for anyone seeking warmth and inspiration in their next book.

Read-alikes:
Sullivan's Island by Dorothea Benton Frank
The Beach House by Mary Alice Monroe
The Nest by Cynthia D'Aprix Sweeney

Nanci Helmle, The Smithtown Library - Commack Building



Games and Rituals: Stories by Katherine Heiny

This collection of eleven stories ranges from employees at the DMV and a mother looking out for her son, to a woman catching her husband cheating and Covid life, focusing on relationships of all sorts. With topics such as infidelity, guilt, mental illness, empty-nest syndrome, and death, these stories will tug at the heart strings, make you laugh, and also make you shake your head.

In Chicken-Flavored and Lemon-Scented, the author makes the reader laugh by explaining how the driving instructors pick the people they're going to give the driving test too and some of the awful drivers they've experienced while also giving a glimpse into the loneliness of the instructors' lives.

In Damascus, a mother is worried that her son is doing drugs while also recounting her own experiences in high school and the hard times she went through. While a heady topic, mistakes are made but so are connections as she and her son have an honest conversation.

Twist and Shout deals with the aging and death or parents while Turn Back, Turn Back and King Midas tackle the topic of infidelity. Games and Rituals is about a relationship falling apart while CobRa is about keeping a relationship alive after being married for over twenty years.

Each story has a unique voice and while not all are consistent in quality, overall the book in entertaining and enjoyable. I would recommend this to readers who prefer books about relationships and the human spirit and even to those who don't normally ready short stories but are looking for solid writing and connections. I would definitely read another title by this author.

Read-alikes:
After the Funeral and Other Stories by Tessa Hadley
Five Tuesdays in Winter: Stories by Lily King
Dear Life: Stories by Alice Munro

Azurée Agnello, West Babylon Public Library



Float Up, Sing Down by Laird Hunt

Laird Hunt shines a spotlight on small-town life in this collection of short stories all taking place on a single day in Bright Creek, Indiana. Hunt's fans will already be familiar with the characters in these stories, having previously met them in Zorrie, Hunt's 2021 short novel. Each of the 14 bite-sized stories (all are 10-20 pages long) focuses on a different resident of Bright Creek as they go about their day.  Some characters are intertwined with others, some cross paths with others, and some characters only have a ripple effect on another.

Although this collection can be read as a stand-alone, this reader recommends picking it up soon after finishing Zorrie for maximum effect.

Read-alikes:
Young Skins: Stories by Colin Barrett
Stories from the Tenants Downstairs by Sidik Fofana
News from Heaven: The Bakerton Stories by Jennifer Haigh

Mara Zonderman, Westhampton Free Library



Seasonal Work by Laura Lippman

This stories in this collection are all very different yet share a criminal element ranging from petty theft to murder. This is not surprising as the author is a well-known writer of detective mysteries. Two of the stories feature Tess Monaghan, beloved private investigator from the well-known Tess Monaghan book series. All of the stories are set in the Baltimore area, which is where the author lives.  These stories were written between 2007 and 2019 and the collection is broken down in to four parts. Only the last story Just One More was written for this collection and boy is it a doozy.

The collection starts with Seasonal Work and tells the heartbreaking story of a young girl, who along with her step-siblings, is dragged all over the US by her scheming step-father. The tale is a sad one and just when you think you couldn’t feel any worse for the daughter, she closes the story out by making a statement so disturbing that it totally throws you off guard. I certainly didn’t see it coming. 

Another favorite from part 2 is Cougar. Lenore, the story’s protagonist, is a single mother whose troubled son returns home after 6 months without any explanation. He and his lazy girlfriend have taken over the basement. They make demands and shout insults at Lenore day in and day out and Lenore suspects that her son is cooking meth and dealing drugs. Lenore is terrified that she will lose her house if he is found out but is even more afraid of her son. It isn’t until a friend of her son arrives that life as Lenore knows it starts to turn around. Lenore and the son’s friend, Aaron, who happens to be the same age as her son, form a friendship that quickly turns into a physical relationship. Soon, Lenore confides to Aaron how awful her life is and that’s when things really take a turn for the better or for worse. The reader will have to decide. 

However, my all-time favorite of the twelve stories is Just One More. Written about a couple, Kelley and Tom, who are sheltering in place during the Covid pandemic. We learn that Kelley wants to spice things up to break up the monotony of staying home. She proposes that they create dating profiles and try to connect on a dating app. Any married couple would tell you that you are out of your mind to try this, especially after it is revealed that Tom had strayed in the past. What happens is that Kelley becomes obsessed with matching up with her husband. She shares this information with her “good” friend Amy who has hatched a plan of her own.  

Review:  
As with every collection of short stories, there are the ones that jump off the page and the ones that are lackluster. Fortunately with the exception of one, I thoroughly enjoyed these stories. Lippman is sharp and witty. Her work is relatable and poignant.  The stories in this collection are well crafted and intriguing and will keep you guessing right up to the very end. 

Read-alikes:
After the Funeral and Other Stories by Tessa Hadley
Disruptions by Steven Millhauser
Cardiff, by the Sea: Four Novellas of Suspense by Joyce Carol Oates

Karen McHugh, Harborfields Public Library



Souvenir Museum by Elizabeth McCracken

McCracken delivers 12 short stories all revolving around the theme of relationships, whether it be romantic, family, or even acquaintances. The reader learns of each character’s point in time and how they cope with life’s battles, wrestling with grief, love, loss, and much more. Each relationship she writes about is unique in it's own way, providing an intriguing plot with realistic circumstances articulated throughout. The setting varies between Europe and America, some places well known to us New Yorkers.

The author opens her short story collection with a light hearted comedy about two people, Jack and Sadie, beginning their relationship and heading to a wedding in Ireland. The American woman in the relationship adjusts to the customs of European banter as she wraps her head around her new mate. This cheerful story provides a good start to the collection, but as the reader continues on, the stories become darker and some even strange. A few bleak narratives include a father and son traveling to Scotland to mourn the loss of their wife/mother as well as a betrayal story of a young woman who checks into a hotel to drink her sorrows away. McCracken also writes a few offbeat plots about a ventriloquist, a mentally ill mother who wants to eat her children, and an actress who played a villainous character on a children’s show, suffering from all the hate she received from the public.

There are some endearing storylines that make the collection more heartwarming and fun to read, one being about a gay couple who takes their little boy on an adventure to a water park. In this story, the writer adds humor with, “He had the panicky, recurring feeling that he’d forgotten to remove his watch, but it was only the shackles of the waterpark around his wrists.” Another fictional account that leaves the reader feeling emotional portrays a young woman’s boyfriend who comes to the aid of her ailing mother and asks him to be her caretaker as her daughter is not fit to care for anyone in her mental state.

I would recommend this short story collection to someone who enjoys characters deeply reflecting on their life circumstances. Since it contained a few bizarre plots along with some depressing moments, this book is not for readers who love whimsical literature. One fictional piece in this 12 story series is named after the title and its content includes a boy and his mom who visit the Souvenir Museum filled with exhibits while adventuring in Denmark with Vikings. The writer ends her compilation of stories with the same two characters she started with, Jack and Sadie. Overall, McCracken’s descriptive language is excellent writing, “Her little house bound up in aluminum cladding the pale green of an after-dinner mint,” and her arrangement of stories is coherent.

McCracken is the writer of other literary novels, a memoir, and another short story collection titled, Thunderstruck and Other Stories. She has received grants and fellowships, and is a teacher at the University of Texas.

Read-alikes:
Old Babes in the Wood by Margaret Atwood
After the Funeral by Tessa Hadley
How to Pronounce Knife: Stories by Souvankham Thammavongsa

Liana Coletti, West Islip Public Library



First Person Singular by Harumi Murakami

Haruki Murakami’s collection of short stories called First Person Singular contains eight stories, all narrated by middle age men. Only one story provides the name of the narrator - Haruki Murakami. This blurs the lines between fiction and non-fiction, however the collection is not autobiographical.  

Each story is written in Murakami’s typical plain, clear language and embraces alternate, slightly unbelievable realities. In Cream, the narrator tells of a time he is invited to a recital on the top of a mountain but discovers upon his arrival that the recital hall’s gate is closed and locked. He appears to have a panic attack and sits on a bench to wait out the symptoms. An old man challenges him to visualize a “circle that has many centers and no circumference.” (p. 19)

On a Stone Pillow and With the Beatles both discuss young love, albeit from different angles. The narrator of On a Stone Pillow has a one-night stand with a woman who explains that she is in love with someone but cannot be with him. They have one night together, in which she cries the name of the man she loves in the midst of passion, and then disappears. The narrator of With the Beatles uses a brief moment in time, a memory of a girl walking past him in a high school hallway many years before, as a hook to begin his tale of a past girlfriend. Interestingly, the story eventually becomes more about the narrator’s odd interaction with the girlfriend’s older brother than his actual love affair with the girl. In this instance both the girl carrying With The Beatles and the girlfriend are clearly secondary characters. 

Murakami uses music as a thread in Carnaval. The narrator meets a woman who he describes as ugly, but captivating. He formulates a friendship with her based around a mutual love of the piece Carnaval by Schumann. The story raises questions about the difference between interior and exterior beauty, and the masks we all wear, which can hide the face of a devil or the face of an angel. Eventually the story takes a surprising turn, with the woman having disappeared because she was arrested for a running a bogus investment company with her husband.    

Magical realism, often used by Murakami, allows us to believe that the monkey in Confessions of a Shinagawa Monkey is not only able to talk, but is well educated and is pleasant company for the narrator. They drink beer, eat snacks, and chat late into the night at an inn in a hot springs town. The monkey makes confessions to the narrator which are unbelievable, until many years later when an interaction with a random woman seems to substantiate the monkey’s tale. 

These short stories are all, as indicated by the title, told in the first person. The Yakult Swallows Poetry Collection is the only one that names the narrator, Haruki Murakami. Is this story non-fiction? Does it have an autobiographical influence? Or, for that matter, do the other stories have a bit of Murakami’s personal experiences written in? While the collection is fiction we can’t help but wonder how much of Murakami’s personal experience influenced these stories.

Murakami is known for his distinctive style. He writes in a straightforward manner, and describes the setting in a way that allows the reader to truly feel immersed in the scene. In these stories, the narrator is always a middle aged to older man. Also typical of Murakami is a treatment of women that often presents them as solely objects of the male characters affection or judgement. In Carnaval he opens the story with: “Of all the women I’ve known until now, she was the ugliest.” (p. 165) The following several pages wax on about the ugliness of some women, and how being beautiful does not seem to make women happy. Female readers may find this persistent objectification offensive.  

This collection provides a framework for the author to ask philosophical questions. What is reality? How does physical beauty affect our interactions and perceptions of others? Is it possible for things to be both true and not true at the same time?

This book will appeal to readers who are already fans of Murakami, who enjoy being left with questions to ponder, and who appreciate magical realism.

Read-alikes:
A Ballet of Lepers: A Novel an Stories by Leonard Cohen
The Miniature Wife and Other Stories by Manual Gonzales
The Lost Writings by Franz Kafka
Terminal Boredom: Stories by Izumi Suzuki

Ellen Covino, Sayville Public Library



Fifty Beasts to Break Your Heart and Other Stories by GennaRose Nethercott

A collection of dark fairytales and folklore about love, yearning and monstrosity, Fifty Beasts to Break Your Heart: And Other Stories reads like hazy, stream of consciousness, little nightmares. The writing is lyrical, descriptive, and character driven with a creepy, whimsical atmosphere. The stories, while vastly different and abstract, center on the desire to be known and loved and the fear of being so deeply known for the bad/monstrous parts within. Each story has a different writing style and a good portion of the book is a bestiary of “monsters” which speeds up the pace. It reads with a sort of detached voice as if being told by these fantastical creatures or a sentient world that they are set in. 

The collection explores universal themes of heartbreak, class anxiety, grief, societal cruelty, and the patriarchy, making the supernatural personal and familiar. Some of the stories are more tender than others and each calls forth an emotional response of some sort. One of the stories, The Thread Boy, has a main character who gives away pieces of himself to each person/place he meets until he’s just a bunch of threads pulled in different directions and the imagery is beautiful but sad, as it is for most of the stories. It’s grim, eerie, and unsettling, with settings that could not exist in our world but pull from it making them almost uncomfortable to read. The author doesn’t indicate the year for most of the stories but descriptors like having an *NSYNC sticker, CD jewel case, or Lisa Frank binder suggest a certain time period.

I’d recommend this collection of short stories to readers who like strange fiction, horror, and storytelling that is beautifully written but reads like a fever dream. Also for those who are looking to read deeper into each tale rather than be given a clear start/finish and purpose.

Read-alikes:
Thornhedge by T. Kingfisher
Buried Deep and Other Stories by Naomi Novik
Never Have I Ever by Isabel Yap

Ana Walsh, The Smithtown Library - Kings Park Building



Table for Two: Fictions by Amor Towles

Six stories based in New York City, which consider the fateful consequences that can spring from brief encounters, and a novella set in Golden Age Hollywood, told from seven different viewpoints, which stars the indomitable Evelyn Ross who was first introduced in Towles’ novel The Rules of Civility. (The Line -- The Ballad of Timothy Touchett -- Hasta Luego -- I will Survive -- The Bootlegger -- The DiDomenico Fragment -- Eve in Hollywood).

All six stories in this collection are engaging, clever, atmospheric, and not related. They are set primarily in Manhattan except for Eve in Hollywood, which enticingly updates readers on the life of Evelyn Ross from Rules of Civility (there is no need to have read Rules of Civility in order to understand this story). In most stories a character accidentally finds a way to improve their circumstances using methods that are not necessarily on the up and up, taking advantage of those more at risk. A Russian man makes money by standing on never-ending lines for others, an aspiring writer realizes he is a good forger, a devious retired art dealer uses his knowledge to his advantage, and an elderly man secretly records Carnegie Hall concerts for his homebound wife. In Eve in Hollywood, a potential 1930’s starlet gets caught up in a noir like ordeal with Olivia de Havilland. 

Amor Towles was born in 1964 and grew up in Boston. He attended Yale and then received an MA in English from Stanford. He has received excellent reviews for his novels Rules of Civility (2011), A Gentleman in Moscow (2016), and The Lincoln Highway (2021). He worked as an investment banker and now writes full time in Manhattan where he lives with his wife and two children.

Read-alikes:
Normal Rules Don't Apply: Stories by Kate Atkinson
Fourteen Days: A Collaborative Novel edited by Margaret Atwood and Douglas Preston
Uncommon Type by Tom Hanks
Rules of Civility by Amor Towles

Jo-Ann Carhart, East Islip Public Library



The Scarlet Circus by Jane Yolen

Dragons, and Djinn, and Fae…oh my! 

This is the third volume in Jane Yolen’s collection of short stories in the Circus series. General theme is romance/love, but with a fantasy twist. That’s right - this is a Romantasy short story collection! Tell all of your “Fourth Wing” friends! Each of the ten tales is a stand-alone that takes place in a different realm and time period.

The point of view also differs from story to story. Some are told from the first person POV (ex. “Dark Seed, Dark Stone” a tale about a daughter dealing with the death of her warrior father) while others are expressed in a third person narrative (ex. “Sans Soleil”, a tragic love story about a prince that was told to forever avoid the sun because it would kill him and his new bride’s complete disbelief in the rule). 

Out of the ten stories, three are retellings of classic tales that the majority of readers will be familiar with - “Dusty Loves” is a take on “Romeo & Juliet”, “Memoirs of a Bottle Djinn” is a nod to “Aladdin”, and “The Sword in the Stone” is, unsurprisingly, about a young King Arthur.

The stories are evenly paced, perfect to hold the audience’s interest for the duration of a short story.
I would recommend this novel to patrons who enjoy Romantasy. A regular short story reader may be put off by the fantasy elements, but it’s worth a shot to tell them about this collection to gauge their interest.

Read-alikes:
The Best American Science Fiction and Fantasy Annual Short Story Series
The Emerald Circus by Jane Yolen
How to Fracture a Fairy Tale by Jane Yolen
The Midnight Circus by Jane Yolen

Jessicca Weber, The Smithtown Library - Kings Park Building

Folklore & Mythology Fiction


Loki by Melvin Burgess

Loki is known as the trickster god in Norse mythology and this book definitely lives up to that hype. This isn't your Marvel Loki, but a Loki that most readers won't like very much. It begins at the beginning with the creation of Loki and spans centuries as the gods live by themselves, not always harmoniously, then with the creation of man; with Loki's wife, kids, loves, enemies, and eventually with the gods turning on Loki even though, according to him, he always did what they asked. Burgess' Loki did not always have an easy life--his children were hunted, he was exiled, his wives/loves were treated unkindly or unfairly--so at times it's easy to feel sorry for him, but mostly what the reader ends up feeling is disgust.

What I thought would be an interesting book dealing with Norse mythology turned into a crude and repetitive story about all of the disgusting things Loki had done over the centuries, whether on his own or by order of Odin, and his punishments for each wrong, real or perceived, committed in the name of his king. Examples of the crudeness are how they describe man as literally being sculpted out of excrement, graphic sexual scenes, and extreme language throughout. If it weren't for the graphic sex and language, I would have thought this book was written for 14-year-old boys. 

I know that most mythology is filled with stories of the gods doing horrible things to both humans and each other, but this book was so poorly written--repetitive, shock for shock sakes, lack of empathy for any character--that I was barely able to get through it. I can't think of anyone I would recommend it to especially since when most people think of Loki, it's as the Marvel Tom Hiddleston version.

Read-alikes:
Norse Mythology by Neil Gaiman
The Witch's Heart by Genevieve Gornichec
The Gospel of Loki by Joanne Harris

Azurée Agnello, West Babylon Public Library



Clytemnestra by Costanza Casati
The mythical stories of ancient Greece have been heard, read, and shared in some form, for over 2,500 years. With so much history to draw from, it can provide challenges for contemporary authors to find new ways of depicting these figures that are still so well-known today. Clytemnestra, the debut novel from Costanza Casati, gives center stage to one of the most infamous and controversial figures from the Homeric sagas. Clytemnestra, Princess of Sparta, Queen of Mycenae, and wife of Agamemnon, is depicted in myriad ways in the ancient sources. In some, she is a jealous, vindictive, and petty wife, who betrays her husband. In others, she is a powerful Queen that carefully plots her revenge against her enemies. However, in both of these depictions, she is more of an archetype than a fully formed character; Casati’s novel sets out to rectify this by giving the reader a total picture of this fascinating mythical figure.

Casati grounds Clytemnestra, and the more well-known figures around her like Helen, Odysseus, Agamemnon, and Menelaus, in a realistic depiction of Bronze Age Greece. The novel contains no supernatural or spiritual elements like you may expect to find in a mythical tale. This approach is especially effective in the beginning of the story, as we witness Clytemnestra grow from precocious princess into a formidable warrior-queen. Her relationships with her far more famous sister Helen, and her cousin Penelope, future wife of Odysseus, are the strongest parts of the book, as you get to see how three of the most important women from the myths of Greece interact before they become the famous figures they are known as now.

Casati’s version of Clytemnestra is a wonderful fully-formed character, complete with her own virtues and flaws, as well as many contradictions that make her feel so realistic. This is not a case of an author taking an often poorly presented figure (which occurs far more to the female characters in these myths) and turning them into a paragon of virtue and heroism; but rather an author breathing new life into a character. By borrowing elements from both traditions of Clytemnestra’s story: one the vindictive Queen, the other the heroic vengeful mother; Casati’s depiction allows Clytemnestra to become her own character without being shackled to the past. The strongest element of this is when Casati allows Clytemnestra to almost speak to the authors and historians who will write about her. She knows she will be a controversial figure in history. It does a great job of exposing how men are treated as heroic in these stories, for doing the very same acts Clytemnestra is forever vilified for. These elements are fascinating and engaging, but in other areas the novel falls short.

Casati’s version of this Bronze Age Greece is rich in description and she does a great job of making the reader feel as though they are in the throne rooms of these ancient palaces. However, there’s little to no engagement with some very important aspects of life back then. Spartan slavery was extremely brutal, even to their contemporaries, and yet in Clytemnestra, the slaves, known as helots in Sparta, are firmly in the background or an occasional plot device. Casati presents Sparta as a progressive city-state since, according to her in interviews, it treated women better than other Greek city-states. This was only true for the wealthiest women in the city like Clytemnestra; the majority of women in Sparta were in bondage; repeatedly being brutalized, raped, or murdered, by the Spartan elite. In regards to the lack of any sort of supernatural or mythical element, it does make the story more grounded, but every religious figure in the book is portrayed as a complete charlatan. Ancient Greek religious beliefs dictated nearly every aspect of their day-to-day lives and yet Casati pushes it to the side, often giving many of the characters confusing motivations when their beliefs in the divine are removed. These flaws do not take away from the rest of novel, but they do prevent it from achieving grander heights.

Overall, Casati’s novel is a welcome depiction of an often misportrayed figure from Ancient Greece. Readers that don’t know Clytemnestra’s story will probably find it far more engaging than those who know the twists and turns that are coming. Additionally, readers who are more historically inclined, may find Casati’s versions of Sparta and Mycenae as too similar to the modern day and far too removed from their actual history. All readers however, will gain an appreciation for Clytemnestra and the way she herself as been presented throughout history.

Read-alikes:
Circe by Madeline Miller
Ithaca by Claire North
Elektra by Jennifer Saint

Connor McCormack, Northport-East Northport Public Library



Shield Maiden by Sharon Emmerichs

This adult fantasy novel is based on the Old English epic Beowulf, which was written down sometime between 700 and 1000 A.D. The author has a PhD in medieval literature and used the Seamus Heaney translation of Beowulf when crafting this story. This is her fiction debut. Reading Beowulf is not a prerequisite for enjoying this book, but it would certainly provide helpful context. Fortunately, the author does provide a family tree and a glossary of Old English words. Readers of Beowulf will particularly enjoy Emmerichs’ occasional use of kennings, a figurative compound phrase frequently employed by Old English poets. 

The setting for this novel is Geatland in what is modern-day Sweden. It is coastal, lush, and remote. Many readers will easily be able to visualize it as akin to Rohan in Tolkien’s Middle Earth. The novel grips the reader in the prologue. The main character, Fryda, nearly dies in a dramatic earthquake that leaves her hand injured. Unbeknownst to her, a rageful dragon caused the earthquake, but we do not meet the dragon until the end of the book. Meanwhile, we flash-forward to Fryda as a young woman, 20 years old. She is the daughter of the clan’s lord and the cousin of King Beowulf. She is a sympathetic and likable protagonist. Strong-willed, but equally loving and kind, she is a three-dimensional character. Her dream is to be a woman-warrior, a shield maiden. A major early conflict in the novel comes from Fryda’s father’s cold and distant personality and his refusal to let his daughter become a shield maiden. This parent-child relationship gives the book a YA feel. The action scenes, romance, and fantasy elements will also appeal to a young audience. Explicit language lands this book in the adult section.  

I have a few criticisms of this novel. Romantasy is not a genre I enjoy, and this book did not change that. It will appeal to a narrow audience of younger readers who enjoy romantasy, especially those who are familiar with Beowulf. After the initial excitement of the prologue, the plot is rather slow, with almost all of the story taking place within a period of three days. The alternating point-of-view is occasionally jarring. The villain is also occasionally cartoonish in his malice. The romance loses momentum after the characters profess love for each other in the middle of the book. In fact, Fryda and Theo, the lovers, already have a well-established friendship when the novel begins, and they already love each other, albeit secretly. As a result, we do not get to watch them falling in love, nor do we see any relational conflict between them. An avid audio reader, I was also disappointed with the audiobook. The narration frequently made the dialogue smack with melodrama and sentimentality. I also think that readers will be disappointed that the dragon is generally off the radar until the end of the book. On the positive side, most of the characters are interesting, likable, and believable. There are multiple action scenes throughout, which will appeal to the younger audience I mentioned.  

Read-alikes:
Grendel by John Gardner
Uprooted by Naomi Novik
Fourth Wing by Rebecca Yarros
 

Emma Yohannan, Emma S. Clark Memorial Library



The Witch and the Tsar by Olesya Salnikova Gilmore

The original Slavic tales about Baba Yaga portray her as an old crone that lures children into her hut on legs and kills them. This retelling presents Yaga as a half mortal goddess who presents as a younger woman who wants to live in her little hen house on chicken legs in the woods and tend to local mortals with herbs, potions, and tinctures. She is drawn back into the larger world when her dear friend, the tsaritsa, Anastasia comes to her terribly ill from a mysterious illness and Yaga realizes the fate of all of Russia is tied to Anastasia. Yaga follows her back to 16th Century Moscow, with only her wolf and owl, only to learn how dreadful things are for Mother Russia. The tsar, Ivan IV, the Terrible, has sunken into madness and paranoia and has assembled a band of citizens, the oprichniki, to round up those he deems his enemies. But what Yaga cannot know is that Ivan is being manipulated by powers far older and more fearsome than anyone can imagine.

This retelling explores themes of feminism, dark vs light, gods & goddesses vs Christianity, families, mental health, and good vs evil. It includes real people from history and other known folklore characters.

This is a long saga of 20 years and sometimes the pacing is off, but at the same time there is underlying intensity. The ongoing love story carries interest throughout the tale. An author’s note and glossary (real people, fairy tale & mythology figures, and places) are included at the back of the book. Readers who like Russian History and those who like feminist folktales and/or mythology will like this book.
The author was born in Moscow and received a BA in English and Political Science from Pepperdine University and a JD from Northwestern School of Law.

Read-alikes:
The Bear and the Nightingale by Katherine Arden
The Weaver and the Witch Queen by Genevieve Gornichec
Baba Yaga and Vasilisa the Brave by Marianna Mayer
Thistlefoot by GennaRose Nethercott
The Path of Thorns by A.G. Slatter

Jo-Ann Carhart, East Islip Public Library



Stone Blind by Natalie Haynes

Medusa is a Gorgon, one of three sisters, but she differs from her sisters in that she is neither immortal nor ugly. Left on the shore for her sisters to raise, she looks like an ordinary baby girl, and grows up to be quite lovely with long, flowing hair. Along the way, she and her sisters, usually portrayed as nothing but evil, become a loving family and are very protective of each other and devoted to each other.  The sisters live on an isolated shore (partly because everyone’s afraid of them) and are thus unaware of the various dramas that are happening elsewhere but will soon prove devastating to them.

Those dramas, mostly centering around the Greek gods and goddesses and their half-divine offspring, include Poseidon’s jealousy of Athena, Perseus’s exile with his mother Danaë, Cassiopeia’s exile with her daughter Andromeda, and Atlas’s sentence to hold up the world. These all come together to result in Poseidon violating Medusa in Athena’s shrine, which prompts Athena to curse Medusa (as though it were her fault) by changing her beautiful hair to snakes. Trying to protect his mother from a king who wanted to marry her against her will, Perseus accepts a challenge to bring back Medusa’s head, a quest in which he gets help from Athena and Hermes. After severing Medusa’s head, Perseus uses it (without knowing its power, in Haynes’s retelling) to kill anyone who gets in his way as he tries to return to save his mother from the clutches of the king, and through his detour to save Andromeda. He then gives Medusa’s head to Athena, who makes it part of her shield, giving her the power of the stone gaze.

Like most retellings, Haynes changes the narrative by giving the female characters agency and making them the center of the story. As a student of the classics, Haynes is well-versed in her sources, so while some prior knowledge of Greek myths will be helpful to the reader, it is by no means necessary, as Haynes paints the story in full color. Haynes is also a radio and television personality, and showcases her vast vocal skills in her narration of the audiobook, bringing the characters’ voices to life, especially Medusa’s snarkiness and the take-no-bull Greek Chorus.

Read-alikes:
Medusa's Sisters by Lauren J.A. Bear
The Shadow of Perseus by Claire Heywood
Athena's Child by Hannah Lynn

Mara Zonderman, Westhampton Free Library



Crazy Cupid Love by Amanda Heger

Eliza Herman is a Descendent of Eros, the Greek God of Love, making her a Cupid. Eliza has spent most of her life trying to avoid her family’s Cupid-for-hire business. She is one of the most powerful Cupids, accidentally enchanting people simply by stepping on their foot or bumping into them, this has caused disasters all of her life. When a family crisis requires her to fill in at her family’s business, Eliza steps in, but needs to get a provisional Cupid license, even to simply answer the phones. In order to do that, she needs a mentor to oversee her first enchantments. Enter Jake Sanders, Eliza’s childhood friend, childhood crush. and fellow Cupid. Eliza’s first enchantments start off well, but suddenly begin to fail and cause hate and bickering instead of love. Even worse, she accidentally enchants Jake, but the feelings seem to be stronger than just an enchantment. That can’t be for someone who doesn’t believe in Love with a capital L. 

This is a mythological romance. The book has descendants of Eros, Fates and Furies, Discords, and more based in Greek mythology. There are science fiction tie-ins with the use of artificial intelligence and Mandroid robots and how it will affect love and human relationships. The book does have some spicy moments. The book is in third person, though on occasion there will be a half chapter that is in first person from Jake’s point of view. This gives readers a little peek into his side of the story. 

I would recommend this to contemporary romance readers that enjoy a little paranormal. You do not need to know mythology before reading this book. The promotional quote on the front of the novel is “Percy Jackson for romance fans” and that is a great way to describe it. 

Read-alikes:
Witch Please by Ann Aguirre
Accidentally Aphrodite by Dakota Cassidy
Vanessa Yu's Magical Paris Tea Shop by Roselle Lim

Nanci Helmle, The Smithtown Library - Commack Building



Fruit of the Dead
by Rachel Lyon

This book is based on the story of Persephone, Demeter, and Hades (in which Hades kidnaps a young Persephone, and her mother, Demeter, struggles to get her back.)

In Fruit of the Dead, Cory is Persephone. She is just 18 with no direction and few friends. She drinks and takes drugs with no thought to consequences. On the last day of summer camp (where she’s a counselor) she is persuaded by an older man (Hades) to join him at his private compound (on a private island, no less) to be nanny to his children for the summer. Although Cory has some doubts about Rolo (Hades), she has nothing else planned for the summer, so she goes along with him (and the children), even signing an NDA.

On the idyllic island, where Rolo is away at work much of the time and the staff won’t talk to her, Cory becomes addicted to pain killers.

Emer, Cory’s mother, is in China where she heads a company that is trying to grow bioengineered rice. Emer has always been about her work to save the world and is away much of the time, but when she loses contact with Cory (lost her phone in the ocean), she dumps everything to try to find her. But, does Cory want to be found?

Lynch writes well and quite beautifully. I would go so far as to call it “literary fiction.” Cory’s story is told in third person and she comes to life for the reader but doesn’t ask for or seem to expect much empathy. I couldn’t empathize or sympathize because although she’s young, she has social media and should know better. Indeed, I think she does know better, but just can’t get up the energy to say no.

Emer’s story is told in first person. The reader never really feels what she’s going through as she searches for her daughter. There’s no sense of urgency. There is also plenty of dialog but no quotation marks, so it’s a bit tricky to know who’s speaking and slows the reader down. 

Read-alikes:
The Helios Disaster by Linda Knausgard
The Marriage Portrait by Maggie O'Farrell
The Middle Daughter by Chika Unigwe

Lori Ludlow, Babylon Public Library



Lilith by Nikki Marmery

The tagline on the cover of the book sets the reader up, and says it all: “Before Eve, There Was . . . Lilith.” In Hebrew myth, Lilith was the first woman created and Adam’s first wife. The couple lived together harmoniously in Paradise until Adam’s increasing need to dominate Lilith at every turn—and it began to annoy Lilith. The final straw for Lilith was when Adam insisted that she lie beneath him during relations, and she refused. Adam went into a fury, brandishing a weapon that he had created (a weapon that Lilith saw no need for in the Garden of Eden) declaring that he was her lord and her master—to which Lilith responded: “You are my what?” Lilith asserted that when they were created, they were created equally—one was not destined to be subservient to the other. Ultimately Adam rapes Lilith and banishes her from the Garden. To say that Lilith does not tolerate the exile lightly is an understatement. She spends the next several thousand years, immortal as she is, traversing all of the world and time seeking revenge, leading an effort to enlighten all women (and humankind) with the knowledge that  they are created equal. In fact, Lilith emphatically declares “Woman is not made from man . . . Rather, man is born from woman!” Lilith’s ultimate goal is to restore a balance in the world that can only come if both halves are equal and working in communion. 

Throughout the book, Lilith cavorts with biblical figures that most readers will be familiar with—Eve, Noah, Jezebel, Mary Magdalene—and most readers will have some knowledge of the roles that each of these figures plays in certain religions and histories. But make no mistake, author Marmery has created an “alternative history.” A book that turns all that has been traditionally taught on its head; a book that attempts to explore the justifications that have been used since the beginning of time to support the view that woman is inferior to man. This book may actually be considered the original feminist manifesto.

The author’s writing style is lyrical, poetic, and whimsical. The exquisite descriptions of time and place will fully engage the reader making it hard to put the book down because it moves along seamlessly. A knowledge of the bible is not necessary, but there is no doubt that some knowledge will only enhance the reader’s experience. This book may not be for anyone that might be offended by an alternative interpretation of traditional biblical teachings. But for others, this story may be an eye-opener—offering a new perspective on the origin of the gender dynamics that are, in many cases, inherent in society to this day.

Read-alikes:
Jezebel by Megan Barnard
Naamah by Sarah Blake
The Red Tent by Anita Diamant

Deborah Formosa, Northport-East Northport Public Library



Psyche and Eros by Luna McNamara

When she is a child, the Oracle of Delphi tells Psyche's father, King Alkaios, that "Your child will conquer a monster feared by the God's themselves." Years later Psyche, the princess of Mycenae, angers Aphrodite, and Eros (Cupid), the god of desire, is sent to deliver a spiteful curse. When she is struck by one of his arrows, Psyche will fall in love with the first person she sees only to lose her beloved the moment they look upon each other. The curse however backfires and it is Eros who is condemned to desire Psyche. Woven amongst the challenges which naturally include interference by the gods is the start of the Trojan War. Will Psyche conquer the monster? Can Eros break the curse before it is too late? Do Psyche and Eros truly love each other?  

This is a wonderfully engaging retelling of the love story of Psyche and Eros. McNamara bases her tale on a combination of Lucius Apuleius's Metamorphoses (The Golden Ass) along with thoughts gleaned from Anne Carson (contemporary scholar), Empedocles (ancient philosopher) and Euripides. The story also intertwines other myths of well known Greek figures such as Atalanta, Persephone, Medusa, and Hekate.

Though leisurely-paced, the story is character driven, atmospheric, and intricately plotted with an engaging writing style.

Read-alikes:
The Shadow of Perseus by Claire Heywood
Circe by Madeline Miller
Atalanta by Jennifer Saint

Sue Ketcham, Retired



Ithaca by Claire North

Told from the perspective of the goddess Hera who was married to Zeus, this story is about Penelope, wife of Odysseus, and her ruling over the island Ithaca while her husband has been away at war for years. No one knows if he’ll ever return and in his long absence, the people of Ithaca begin to force Penelope to marry so that their land may have a king and will be ruled by a male figure. She is reluctant to marry a suitor because she fears they will declare war on Ithaca. She also believes Odysseus still lives and will come back to her one day. Many living on the island fear raiders and pirates attacking their land and therefore, the young men, including Penelope’s son Telemachus, form a militia, training for war.

The main idea Claire North puts forth in her book is how Ithaca is run by the women who remained behind after their husbands left for the war. Penelope and her maids took action in managing the suitors who wanted to wed her. They learned to defend their homeland, keeping it from crumbling to the ground while farming and gathering food so that no one starves. These women are unrecognized in their efforts but continue to keep the peace and order to their land. Eventually, cousins Elektra and Orestes visit Ithaca to explain that their mother, Clytemnestra, has killed their father, Agamemnon and now they are on the hunt to kill her. When Penelope finally encounters Clytemnestra, she makes a plan to save her from her vengeful children in exchange for Elektra, Orestes, and their people to retreat from Ithaca. Will everything go as planned? Will Clytemnestra be saved and will her children flee?

This novel is well-written, describing the various names and characters in Greek Mythology and their connections with one another. For someone who doesn’t have a background in this genre, it is easy to follow the history of each mythological figure all the while comprehending the main plot and its climatic points in the story. Readers who would like to learn more of Penelope’s character will find much interest here. This title would be appealing to those who like a more feminist approach, particularly women ruling a place and fighting in wars. Although it feels a bit too descriptive at times, the narration and dialog make this a more fast-paced story with intriguing subplots. Hera speaks with humor and sarcasm which brings light to a troubled tale. And the saga continues with the second book titled, House of Odysseus and the third titled, The
Last Song of Penelope.

Read-alikes:
The Silence of the Girls by Pat Barker
Daughters of Sparta by Claire Heywood
Circe by Madeline Miller

Liana Coletti, West Islip Public Library



Elektra by Jennifer Saint

“The gods demand their justice, but we suffer for it every time.” - Jennifer Saint, Elektra

Despite the title, Elektra, is an even-paced reimagining of the intertwined stories of three Greek mythological heroines: Clytemnestra, Cassandra, and Elektra. The story is told from their alternating points of view. 

Clytemnestra is the sister of Helen (as in Helen of Troy, the most beautiful woman that has ever lived) and wife of Agamemnon. She is a loving mother who watches one of her daughters be sacrificed to the gods by her husband before setting off to wage a war in Troy. Overwhelmed with grief, Clytemnestra decides almost immediately that she will avenge her daughter’s death. Will Agamemnon die fighting in the war or survive only to come home to Clytemnestra seeking vengeance?

Cassandra is the Princess of Troy. She is a prophet that no one believes, leaving her powerless to stop the impending attack on her home.

Elektra is the youngest daughter of Clytemnestra and Agamemnon. She was very young when her father went off to war and idolizes him, while clashing with her mother. She eagerly awaits her father’s return...

I would recommend this novel to patrons who enjoy Greek mythology or tragedies, especially the female characters.

Read-alikes:
Clytemnestra by Costanza Casati
Circe by Madeline Miller
Phaedra by Laura Shepperson

Jessicca Weber, The Smithtown Library - Smithtown Building



Phaedra by Laura Shepperson

Pheadra, by Laura Shepperson, traces the story of a young princess as she travels from her home as a young bride. Her journey is fraught with trials as she navigates the path to adulthood as royalty, a young woman no longer in the presence of her own family and support system.   

As a younger sister, Phadra is allowed more leeway in the palace. She follows mural painters and even begins to learn to paint. Described as plump, not as beautiful as her older sister Ariadne but an attentive student, Phaedra is still a child when Theseus comes with other tributes to Crete. Her innocence is evident in her interactions with Xenethippe, a young woman who is sent to Crete as a tribute from Athens. Phaedra is offended on behalf of Xenethippe when she witnesses a man roughly handle the tribute in the hallway. This interaction is indicative of Phaedra’s perspective regarding the rights of women. Xenethippe understands that men use and abuse women’s bodies, however Phaedra has grown up with a sheltered life and has been taught that she has the right to expect respect.   

Bride Phaedra does not know what to anticipate when entering her new home in Athens. She is shown to run down, under furnished rooms where she and her maid are left to their own devices. At night she hears what Shepperson calls the night chorus. Women’s voices carry and bring words of despair, warning, and judgement about the men who they serve. Phaedra feels it her duty to find a way to change the culture in the palace, but feels ill prepared to exert her authority as queen.   

When Phaedra becomes a victim of sexual violence, she fully understands the horror faced by common women daily in the castle at Athens. But she remains impotent, the power she anticipated obtaining as queen lost (not coming) from an absentee husband who presides over a court of misogynistic loose cannons. 

Shepperson relays an old tale with new perspective, allowing a feminist voice to come through. The powerlessness of women in society, their diminutive status in the world, and their overall lack of power over their own lives, (particularly over their own bodies), is exemplified by Phaedra’s story. The storyline that could easily be tangled in its complexity is handled deftly, leaving the reader absorbed and easily following the narrative while feeling connectivity with the characters.  

Long time lovers of Greek myths will appreciate reading more about Phaedra, who is classically a secondary character. Shepperson crafts her story with a feminist perspective, giving voice to the often glossed over women of antiquity. She raises valid questions about the Gods and their place in Greek society. Both enjoyable and thought-provoking, Phaedra will appeal to a myriad of readers. Shepperson’s debut novel is character driven, descriptive, and suspenseful. 

Read-alikes:
The Women of Troy by Pat Barker
Clytemnestra by Costanza Casati
Stone Blind by Natalie Haynes
The Shadow of Perseus by Claire Heywood
Circe by Madeline Miller
Ariadne by Jennifer Saint
House of Names by Colm Toibin

Ellen Covino, Sayville Public Library



Lore Olympus by Rachel Smythe

Lore Olympus is currently a 5-volume (with the 6th and 7th volumes coming out later in 2024) adult graphic novel. Created by New Zealand artist Rachel Smythe, it originally debuted as a webcomic and was released through the platform Webtoon. It was first released as a print book in 2021. Today, it is one of the most popular graphic novels in the US and has won multiple awards including the Will Eisner Comic Industry Award for best web comic.

Lore Olympus is a modern re-telling of the story of Persephone and Hades. In it, Persephone is portrayed as a young 19-year-old goddess who has left the mortal realms to attend college in Olympus. Living with her roommate Artemis, she tackles many of the challenges that mortal college students face, including roommate issues, stress over her grades and scholarships, tension with her mother, internships, nasty pranks, and toxic masculinity. By chance she meets the 2000+ year old Hades, King of the Underworld, and they both fall madly in love with each other, albeit surreptitiously. Unfortunately, their budding relationship is plagued by many problems including meddling family members and, not least, their age difference.

The graphic novel is very moving and often touches on difficult topics like rape, abuse, and toxic relationships. The artwork is utterly gorgeous, full of deep, saturated colors and expressive character design. While the themes in the story are sometimes very serious, there are many moments of comedy that are supported by artwork. This is definitely a case where the story and artwork really support and expand on each other - Lore Olympus would not be the same as a normal novel.

All in all, I read the first two volumes of the graphic novel and am desperate to find out what happens next. I feel like it would be most appropriate for college students and adults or perhaps more mature high schoolers. Anyone who has an interest in classic Greek myths or romances would enjoy this novel.

Read-alikes:
American Gods by Neil Gaiman
The Wicked + the Divine by Kieren Gillen
Atalanta by Jennifer Saint
Punderworld by Linda Sejic

Carolyn Brooks, The Smithtown Library - Commack Building

Historical Non-Fiction

Klan War: Ulysses S. Grant and the Battle to Save Reconstruction by Fergus M. Bordewich

Although the title of this book is somewhat misleading, as Ulysses S. Grant is something of a minor character, there is a lot of information about the early KKK, and anyone interested in American History will find this book a worthwhile read. Grant was a strong proponent of civil rights, but he’s not really the focus of the book. Bordewich does justice to Grant, detailing legislation he championed in support of civil rights, as well as the judges and cabinet members he appointed who helped make his vision a reality.

And it was a reality. Sort of. For a little while. The reader learns about many of the new elected officials, many newly emancipated, in the immediate aftermath of the Civil War, and the ways their activism pushed forward the civil rights agenda.

Unfortunately, but unsurprisingly, there’s a backlash, and it is this that forms the bulk of this book. Alongside the stories of brave people who fought for equal rights are the stories of people who believed in both segregation and subjugation, and the violence they perpetrated in pursuit of their goals. There are numerous descriptions of lynchings, assaults, brutality, and cruelty as the KKK became more organized.

Readers will learn the many ways in which the KKK of the 1860s and 1870s was different from what we now think of the Klan, and may be surprised to find out the Klan was essentially dormant from the late 19th century until the early 1920s, at which point it was increasing immigration that provided the impetus for the resurrection of the Klan into what we know today.

Read-alikes:
The Wars of Reconstruction by Douglas R. Egerton
The Ordeal of the Reunion by Mark Wahlgren Summers
Ecstatic Nation by Brenda Wineapple

Mara Zonderman, Westhampton Free Library



Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America and the Woman who Stopped Them by Timothy Egan

In November 1925, Ku Klux Klan Grand Dragon D.C Stephenson was sentenced for the murder of Madge Oberholtzer, whom he had raped and mutilated in March of the same year. Stephenson had gotten away with raping women for years before Oberholtzer was brave enough to tell her story on her deathbed. Her written testimony put him away. Fortunately, he was not just stopped from harming women, but from harming all minorities in Indiana. 

Stephenson was a drifter who showed up in Indiana in 1923. He was a smooth talker and charmer. Hired by a KKK recruiter, he quickly rose up the ranks, expanding the Klan membership and infiltrating all avenues of Indiana politics and government. As he once said: “I am the law.” He was right. Police officers, judges, mayors, ministers – they were all under the thumb of Stephenson and the KKK. Though the KKK was supposedly a “brotherhood” of white supremacy (not necessarily against blacks, Jews, and Catholics, but just protecting their own race), Stephenson was a regular thug embezzling from the KKK, stealing from farmers, and ordering murders and lynchings.

When Stephenson was finally outed and convicted, many original KKKer’s were appalled at his behavior. Memberships quickly dwindled and their power waned.

This book was thoroughly researched by the author and is a relatively quick read. As non-fiction, we don’t get into anyone’s head, but we feel like we know the ‘characters.’ We easily hate Stephenson and his cronies and have great sympathy for Oberholtzer. However, this is hardly only Oberholtzer’s story. We are half-way through the book before we get to the night of the rape. The book also belongs to the newspaper editors, attorneys, and judges who were not swayed by Stephenson. Without them, Oberholtzer’s testimony would have never been made public at the trial.  

Read-alikes:
The Second Coming of the KKK by Linda Gordon
Gangbuster by Alan Prendergast
Crooked by Nathan Masters

Lori Ludlow, Babylon Public Library



Hollywood Double Agent: The True Tale of Boris Morros by Jonathan Gill

Boris Morros (rhymes with chorus) (1891-1963) was an American Communist Party member, Soviet agent, and eventually a FBI double agent. 

Morros, born in St. Petersburg was a music child prodigy. As a child he attended the St. Petersburg Conservatory, studying under well known composers such as Anatoly Liadov and Nickolai Rimsky-Korsakov. The Conservatory was one of the few institutions that enrolled Jews and provided housing permits so their families could legally live in the city. Later on, Morros was hired to organize, recruit, rehearse, and conduct the ensembles that performed for the tsar and his government.

Eventually Boris, along with his immediate family, made their way to the United States, arriving on Ellis Island in 1922. Morros relied on his music skills to gain work and eventually went to work for Adolph Zukor, owner of Paramount Pictures. Morros went on to become head of music at Paramount and eventually tried his hand at producing pictures (The Flying Deuces starring Laurel and Hardy). 
In 1933, after meeting with an unsuspecting Boris, a Soviet spy wrote Moscow saying "During a conversation with Morros, I got the impression that he might be used to place our operatives in Paramount offices situated in every country and city, that he could be brilliantly put to use providing our workers with a cover." Over the next 14 years Boris or "FROST" (Soviet codename) did exactly that. In 1947, Morros became a counterspy and in addition to passing along FBI approved low-level secrets he also informed on the other spies in the spy ring. According to Gill, Boris "was ideologically uncommitted, constitutionally discreet, addicted to fame and money, and oblivious to the distinction between truth and fiction," traits that enabled him to survive purges, betrayals, and precarious Soviet politics."

This book is perfect for readers who like comprehensive, detailed oriented biographies, rich in history but that read like a thriller.  

Gill did extensive research. Much of it came from readily available materials and well as 1930s and 1940s popular scholarly periodical materials, such as music, radio, theater, and film trade journals. He also conducted interviews with members of Boris's family. Unpublished as well as classified and declassified official sources proved to be very useful. One invaluable source was the archive that was collected by Alexander Vassiliev (former KGB) and eventually published in The Haunted Wood.

Read-alikes:
Symphony for the City of the Dead by M.T. Anderson
Sleeper Agent: The Atomic Spy in America Who Got Away by Anne Hagedorn
A Spy Among Friends: Kim Philby and the Great Betrayal by Ben Macintyre
My Ten Years as a Counter-Spy by Boris Morros

Movies:
Flying Deuces (Laurel & Hardy)
Second Chorus (Paulette Goddard & Fred Astaire)
Man on a String (Ernest Borgnine portrays Boris) 

Sue Ketcham, Retired



Eyeliner: A Cultural History by Zahra Hankir

Hankir presents an interesting survey of the use of eyeliner across time and geography. As a proud Lebanese-British journalist who has her feet planted in the cultures of both the Middle East and the West, Hankir shows how eyeliner plays important roles for both men and women in religious and cultural life.

The book is divided into ten chapters examining eyeliner in terms of different cultures, religions, and political expressions. For example, one chapter explains male beauty culture in central Africa, another examines eyeliner as a tool of political dissent for women in Iran, another explores eyeliner as a tool for expressing gender for drag performers, and another two chapters investigate the use of eyeliner for Japanese and Indian cultural performers. Each chapter gives a nice historical background of the area and the kind of eyeliner it uses, explanations of the use of that eyeliner, and plenty of interviews with people from that area explaining what it means to them. Hankir also provides a solid Works Cited section in the back of the book that allows for further exploration of the topics in each chapter - helpful as I found myself wanting to learn more about the different cultures that were introduced in each chapter.

The book itself is pretty accessible to the regular library reader. It seems solidly researched and definitely has a scholarly bent, but it is written in rather informal language (sometimes creating a jarring dissonance in her writing). One of the frustrating things about the book is that Hankir alternates between assuming the reader already knows about obscure topics (for example, providing words in Chinese characters without presenting the reading of those characters or using specific terms from different religions without explaining them clearly) and then overexplaining things that the general reader would already know. Also, the book seems to assume a more than basic knowledge of eyeliner and its use in Western culture, so if you do not wear makeup much yourself you will find yourself at a loss for understanding what a “flick” or “cateye” or “puppydog” or “graphic” eyeliner style looks like.  It would have been good to have a chapter discussing the Western use of eyeliner as well - it would have provided a baseline for readers to understand the comparisons with the other cultures presented in the book. Each chapter also includes one black and white illustration representing the eyeliner style in the chapter, but it is very little compared to what is discussed. It would be easier to understand if more illustrations were provided.

Overall, I found this an enjoyable read. It was a tiny buffet of different cultures, religions, and people that made me curious to learn more. While the author’s strong political views can sometimes be off putting, I found myself reading eagerly and looking carefully at the women around me, wondering how their personal style of eyeliner was part of their cultural background and political views. I feel like a broad spectrum of readers would be interested in this book, including those who are interested in feminism and women’s culture as well as those who are interested in politics, religion, and physical culture.

Read-alikes:
Dress Like a Woman edited by Sarah Massey, Ashley Albert, and Emma Jacobs
Pockets: An Intimate History of How We Keep Things Close by Hannah Carlson
Unshaved by Breanne Fahs
All Made Up by Rae Nudson

Carolyn Brooks, The Smithtown Library - Commack Building



Sweat: A History of Exercise by Bill Hayes

More memoir than history, Sweat: A History of Exercise by Bill Hayes takes us through a rambling journey of his search for information about exercise, and what seems to have become an obsessive interest in one particular work on the subject. The focus for much of the book is on Girolamo Mercuriale, a Renaissance Era physician who wrote and had illustrated a tome about exercise. While the work of Mercuriale was likely significant, it is not the first such work, and Hayes only scratches the surface of prior and later works on the subject.

After sessions in an archive with a librarian who begins to know him and anticipate his interests, he travels to both England and France to meet with scholars on Mercuriale and eventually is able to find a treasure trove of translated material. The materials that Hayes finds leads him further in his quest, and he eventually is able to view original copies of the drawings done for Mercuriale’s work.

Framed within the context of exploring Mercuriale’s work, and his own exploits in exercise, the reader learns of early Olympic games, boxing matches in Crete, and military training, which included women but only in Sparta. The narrative describes exercises that stem from Pehr Henrik Ling of Stockholm whose work led to the principles that guide modern PE classes. It also addresses the practice of Yoga and the changes it underwent in America, and the advent of television exercise programs as pioneered by Jack LaLanne. This era also saw the rise of body building as exemplified by Arnold Schwarzenegger, martial arts by Bruce Lee, and other sports such as swimming and running by celebrity athletes. Title IX opened the door for women and girls to participate in sports in a way previously impossible. Hayes’ description of these changes is clear although brief.  

His hunt for original works will appeal to history buffs who will be captivated by the idea of looking at books buried deep in archives of prestigious libraries and even a castle on an isolated island in Italy. While Hayes likely compiled an incredible trove of information and experience in his multi-year quest, he leaves the reader feeling undereducated on the subject.

There is too much focus on one author, not enough meat for comparison with those who came before, and a mere glance at modern trends. The athleticism of the author could be a means for connectivity for athletes or exercise aficionados. Hayes has done or tried it all - running, swimming, gym workouts with weight lifting, yoga. He seems to show a great deal of reverence for Mercuriale but has no problem mocking practices such as sweat collection for skin care, which we now know to be useless and really just gross.

This book would be a good beach read for non-fiction lovers. Although catalogued as a history, it is more a memoir of Hayes’ studies of exercise, both physical and academic. Readers who enjoy memoirs, exercise, and in-depth research will enjoy this book.

Read-alikes:
Making the American Body by Jonathan Black
Let's Get Physical by Danielle Friedman
Ultimate Fitness by Gina Bari Kolata
Embrace the Suck by Stephen Madden
Fit Nation by Natalia Mehlman Petrzela

Ellen Covino, Sayville Public Library



Names of New York: Discovering the City's Past, Present, and Future Through It's Place-Names by Joshua Jelly-Schapiro

Ever wonder how the streets, towns, buildings, etc. of New York City came to be named? From the native Lenape to the Dutch settlers and beyond, Jelly-Schapiro tells the history of New York City through those who lived here, settled here, and have made the City their home for over 300 years. 

The beginning of the book is about the Lenape meeting the Dutch settlers and the language barriers that ensued. From that, the Dutch began to rename things in their own language, which continued throughout history as each new group settled in the city. As we get closer to present times, we learn more about the boroughs as the City grew and how subway stations, neighborhoods, and waterways get named based on cultural significance and historical importance.

The book is short but densely packed with information. A lot of the beginning is repetitive going over the renaming of the same areas as new settlers came in quick succession. Around the midway point, it gets more interesting as the reader more easily recognizes the areas being discussed and can relate more to the history. Interesting chapters include a section on Hart Island, where inmates from Riker's Island have dug graves for the city's largest potter's field, as well as a chapter about the time when the city began renaming streets every time someone put in a request causing all sorts of confusion for locals, local businesses, and visitors alike since maps couldn't keep up with the constant changes.

Overall this was an interesting read, but unless you're a history buff, it's slow going for half of the book. Due to this, I wouldn't give this book to the general reader. It's better suited to readers looking for a history of New York City or those who like to know why streets and towns got their names.

Read-alikes:
City Grid: How New York Became New York by Gerard T. Koeppel
Broadway: A History of New York City in Thirteen Miles by Fran Leadon
Gotham Unbound by Theodore Steinberg

Azuree Agnello, West Babylon Public Library



The Nineties by Chuck Klosterman

This well-researched, in depth overview of the 1990s is an eclectic dive into the American grunge era of pop culture, entertainment, sexism, racism and politics. Within the first footnote, the author acknowledges potential biases - “Transparency requires me to admit a few things here, if only to aid those primarily reading this book in order to locate its biases: I was born in 1972. I’m a white heterosexual cis male. I was economically upper-lower-class in 1990, middle-middle-class in 1999, and am lower-upper-class as I type this sentence.”

Klosterman goes on to cover many newsworthy topics - Bill Clinton’s impeachment, OJ Simpson’s murder trial, LAPD brutally beating Rodney King, Anita Hill’s testimony; the rise in commercial popularity of different music genres - Alternative and Gangsta Rap; notable sports moments like the home run record chasing race between two players that were using performance enhancement drugs; the Titanic movie and that song we still can’t get out of our heads, and so on.

Considering the vast amount of information that is covered in this book, the pacing is definitely adequate. The Nineties will appeal to those that lived through them, heard stories about being a teenager back then from their very cool 40-something aunt, or anyone with a general interest in US history.

Read-alikes
Fantasyland: How America Went Haywire: A 500-Year History by Kurt Andersen
Rock Me on the Water: 1974 by Ronald Brownstein
Music is History by Questlove

Jessicca Weber, The Smithtown Library - Kings Park Building



The Core of an Onion by Mark Kurlansky

The Core of an Onion by NY Times Bestselling author Mark Kurlansky discusses the origin and history of the beloved and humble bulb. As Julia Child once said, “It is hard to imagine a civilization without onions." Onions have been around since the beginning of time. They have been found in the tombs of Egyptian mummies, and Herodotus, the famous Greek historian, claimed that during the construction of the pyramids, the workers were fed on large quantities of onions, garlic, and radishes.  

This book sites dozens of examples of the importance and value of onions. Onions are worthy subjects of art, and many artists including, Renoir, Cezanne, and Van Gogh immortalized the bulb in still life drawings and paintings. Onion’s popularity also shows up in literature and poetry. In Lewis Carroll’s Adventures of Alice in Wonderland, the Queen of Hearts threatens the Seven of Spade for bringing the chef a tulip instead of an onion. According to many botanists and archeologists, it is believed that onions originated in central Asia over 5000 years ago and it is thought that onions were discovered and eaten wild long before farming or writing was invented. The onion has been praised for medicinal purposes and at one time was popular in some cultures as an aphrodisiac. Hopefully the user cooked the onions first. 

I could go on and on and by now you are probably asking, why do onions make us cry. Contrary to popular belief, it is not the odor of the onion that causes one to cry but a vapor that is released when the onion is cut. The toxic vapor transforms into an irritant when it comes into contact with the liquid in your eyes and causes the eye to tear. This book goes into several techniques to prevent that from happening, but you will have to read it for yourself to find out.

This book could have easily been called, everything you wanted to know about onions but were afraid to ask. I enjoyed learning about the many cultivars of onions. It is believed there are well over 600 types with more on the horizon. Each page of this slim book contained interesting tidbits and facts about this commonly used food.

This book is for anyone who loves to eat, cook, or garden. The pace is fast and can easily be read or listened to in a weekend. The book includes a 100 historical recipes that will make you long for a perfect bowl of onion soup. 

Read-alikes:
Sweet Land of Liberty: A History of America in 11 Pies by Rossi Anastopoulo
A Short History of Spaghetti with Tomato Sauce by Massimo Montanari
The Secret History of Food by Matt Siegel

Karen McHugh, Harborfields Public Library



The Sisterhood: The Secret History of Women at the CIA by Liza Mundy

Mundy, author of the bestselling Code Girls: The Untold Story of the American Women Code Breakers of World War II (2017), returns with another work of espionage history centering women. Intrigued by CIA history while researching her earlier book, Mundy interviewed current and former CIA officers in order to tell the story of the CIA from its inception during World War II through the killing of Osama bin Laden in 2011. 

The Sisterhood reads like any well-written and thoroughly researched work of history, replete with anecdotes, quotes, major and minor events, and biographical sketches. For this reason, I would recommend the book to any reader of history. Increasing its appeal is its novelistic structure: exposition, increased conflict, climax, and resolution. 

The book begins with an exposition of how women gradually increased their presence and influence at the CIA from the 1940s to the 1980s. During this period, the CIA had a very macho culture, what the author calls the “Old Boys’ Club.” Women faced sexual harassment and sexist comments and were subjected to a double-standard. They were also denied promotions and were excluded from career-track positions. They did important work, but men received the credit. This was infuriating to read, but that indignation propelled me through the book. 

This first part of The Sisterhood especially focuses on female clandestine officers. Originally, women were excluded from receiving spy training at “The Farm,” the intense training camp where CIA agents are equipped for overseas service. However, highly talented women refused to give up on their dreams of becoming Case Officers. They persisted and excelled as Case Officers during the Cold War, obtaining important intelligence. Interestingly, their sex gave them multiple advantages, such as their ability to fly under the radar of the enemy and to use their emotional intelligence to win trust. 

Moving into the 1990s, the book shifts settings from overseas to Headquarters. During this time, women at the CIA landed numerous victories. For example, a small team of women tirelessly investigated and exposed Aldrich Ames, a CIA officer and a Russian mole, who was arrested in 1994. Women also won legal cases against the CIA, including one in which officers’ wives, most of whom had performed critical unpaid intelligence work, were able to receive part of their ex-husbands’ pensions after divorce.

During this second part of the book, Mundy shifts the focus off clandestine officers and onto the female analysts who worked at CIA Headquarters. She highlights their brilliance and expertise. This section of the book builds significant tension and conflict as we learn about the founding of Alec Station, the Bin Laden Issue Station in the basement of Headquarters. These genius women were experts on terrorism, Al Qaeda, and bin Laden, amassing an impressive wealth of intelligence on the growth of Al Qaeda in the 90s and submitting countless papers and reports to their superiors regarding the growing threat. They even alerted their superiors to multiple opportunities to kill bin Laden. Unfortunately, their warnings went unheeded for most of the decade. Mundy offers multiple reasons why their warnings were ignored, but the fact that the department was staffed primarily by women was undoubtedly part of the reason why they were not taken seriously. 

This drumbeat of impending doom left me with a visceral sickness as I recognized that the analysts would not stop bin Laden in time to save thousands of lives. The tension peaks as Mundy recounts the events of 9/11 and the intense guilt, fear, and drive felt by the female officers in its aftermath. As a reader, it was fascinating to watch the analysts and clandestine officers join forces in the singular effort to fight terrorism and catch bin Laden. Because the women of Alec Station had been tracking bin Laden for years, their expertise suddenly became desperately needed and sought after. Women played an essential role in the killing of Osama bin Laden in 2011, and it was gratifying to see these women holding significant leadership positions. However, even well into the 2010s, female officers still faced prejudice, sexism, and a double-standard. 

Like any good story, The Sisterhood has several main characters, and the book wraps up by telling us what became of women like Lisa Manfull Harper, Heidi August, Cindy Storer, and Gina Bennett, whose careers we follow from the beginning of the book. These biographical details are crucial for maintaining reader interest throughout this 400+ page book. Additionally, several exciting events keep the pages turning. The 1985 plane hijacking in Malta, for example, becomes a pivotal moment for Heidi August, compelling her to fight terrorism for the remainder of her career. Unfortunately, the book often gets stuck in a slog of confusing Headquarters politics and office drama. It was difficult at times for me to keep track of the various departments, positions, career changes, minor characters, and overlapping timelines. This is not a James Bond novel, and I would not recommend it to readers looking for that type of book. 

Instead, I would recommend this book to anyone, male or female, who is interested in international relations, American foreign policy, the CIA, Washington culture, and counterterrorism. I would also recommend this book to readers who enjoy empowering stories of brilliant women defying sexist power structures. It is an inspiring, but heavy read. 

Read-alikes:
Circle of Treason by Sandra Grimes and Jeanne Vertefeuille
Wise Gals by Nathalia Holt
In True Face by Jonna Mendez

Emma Yohannan, Central Islip Public Library



The Dictionary of People: The Unsung Heroes Who Created the Oxford English Dictionary
 
by Sarah Ogilvie

I never thought about how new dictionaries become established, especially one that would become the first dictionary of the English language that aimed to start with the Anglo Saxons and describe the language, word origins, and their usage.

Sarah Ogilvie has written a book about just that. Ms. Ogilvie is a linguist, lexicographer, computer scientist, writer, professor, and former editor of the Oxford English Dictionary. Dr. Ogilvie is currently a member of the Department of Linguistics, Philology & Phonetics at Clarendon Institute, University of Oxford.

Her book is filled with the stories about the creation of the Oxford English Dictionary (OED) and the brilliant, quirky, dedicated volunteers who toiled for many years to compile the dictionary. 
The OED was first proposed by members of the London Philological Society in 1857. Ads were published in newspapers and literary publications asking for volunteers to read books and send in slips that specify a word and quote of its usage in the book. Many people responded by sending in hundreds of thousands of slips over the 70 years it took to complete the OED. In 1879 Oxford agreed to publish the work. It’s first edition came out on January 29, 1884. Two of its best-known editors were Frederick Furnivall and the Scottish lexicographer, James Murry. There have been several updated editions over the years along with a CD-ROM version in 1987 and the first online edition in 2000. 

Who were these volunteers? According to Dr. Ogilvie’s professionally researched and well written book, they were, average people, language specialists, alcoholics, architects, inventors, linguists, philologists, kleptomaniacs, scientists, medical doctors, a murderer, a cannibal, suffragists, and the daughter of Karl Marx, along with many, many more. They came from all over the world. The OED has been called the “Wikipedia of its time.”

The creation of this historical publication is extremely interesting and reads like a mystery, but it might not be for everyone at 384 pages. Anyone who loves words and language and stories about eccentric, remarkable people should give it a try.

Read-alikes
The Dictionary Wars by Peter Martin
The Professor and the Madman by Simon Winchester
The Dictionary of Lost Words by Pip Williams

Jo-Ann Carhart, East Islip Public Library



Children of Ash and Elm by Neil Price

Throughout history, there are many peoples or past Empires and Kingdoms who, when mentioned, conjure up clear images in the minds of people today. The Romans, the Mongols, the Pilgrims, or the Aztecs; whenever groups like these are spoken of, most of us will have similar ideas of who and what they were in our head. Many of us will (hopefully) recognize that the images in our heads don’t perfectly represent who these people were, but usually the disparity isn’t too great. However, movies and television, as well as the simple passage of time, warp our understanding of history, leading us to misconceptions or overgeneralizations. The task of good historical non-fiction books is often to sift fact from fiction and correct our preconceived notions. Perhaps no people in all of history however, have a wider difference in their public perception versus their lived reality, than the people commonly referred to as the Vikings. 

From the horned helmets that were invented in the 19th century for a production of a Germanic opera, to the idea that they were wild-haired savages eating magic mushrooms to begin blood-lusted rampages through Christian Europe; almost everything the common person pictures when thinking of the Vikings is either misguided or a complete fabrication. For his newest book, Children of Ash & Elm: A History of the Vikings, archaeologist Neil Price meticulously deconstructs the web of lies and confusion that surround these extraordinary people. 
  
For many, reading historical works is an attempt to fill in the gaps of our knowledge, a way to bring the past into living color. With a people like the Vikings, Price’s task is less about adding depth to what the average reader knows, but more akin to a sculptor carving away at a block of stone to reveal the truth of the Vikings, hidden beneath our preconceptions. Price spends the entire first third of the book challenging the reader to center the Vikings in their own narrative, even using multiple pages to discuss whether ‘Vikings’ is even an appropriate word for the people of Scandinavia in this time period. Too often, the Vikings are portrayed as a hitherto unknown people, exploding into the history of Europe in the period after the Roman Empire falls and before the European Kingdoms of France, England, or the Holy Roman Empire can take root. Instead, like the title suggests, Children of Ash & Elm places them firmly in their own world first, before seeing how their interactions with the rest of Europe and Asia play out. Or as Price puts it in his introduction; “What, for some, is ‘background’, building up to what the Vikings accomplished out in the world, is here the point itself.”
  
These parts form the strongest sections of the book, where Price uses archaeological evidence as well as the few surviving contemporary accounts, to give the reader an idea of who the Vikings were. Not just how they dressed or built their homes, but what motivated them to dress or build that way, how the natural world around them shaped their beliefs, and most importantly, how the Vikings viewed themselves as individuals and as a community. Only when Price has sufficiently described these people, does he go into the more traditional history; the monastery raids, the invasions of England and France, as well as the settlement of Iceland and North America. Yet he routinely goes to great pains to remind the reader that we should not view these events simply as dates with lines on a map. He wants the reader to understand what is motivating these people on these extraordinary journeys. Many of the stories Price highlights in these sections survive as mere fragments of the incredible and mysterious lives these people led. Warriors who traveled from their homes in Sweden to the far East of Baghdad, before settling somewhere in England. A Queen from Iceland that possibly visited North America before her meeting with the Pope. Or even the regular farmers who erected massive stones carved in intricate runes, to honor their families, and leave behind a legacy for their descendants.
      
Children of Ash & Elm is an incredibly rich work, but that richness also comes with density. Those not used to reading academic historical non-fiction may be daunted both by the size, clocking in at just over 600 pages, and by the writing style standard to this level of research. The structure of the book could also confuse those who have no understanding of European history in this period (roughly covering the years 600 - 1200) as Price bounces around in both time and space, rather than following any sort of linear timeline as a more traditional history book might. Anyone with the faintest interest in the Vikings should read Children of Ash & Elm, those without that interest may lose steam after hearing about yet another burial mound and what its findings mean for historians and archaeologists. For those who crave richness and complexity when reading, Price’s newest book is an excellent work about one of history’s most misrepresented and misunderstood people.

Read-alikes:
SPQR: A History of Ancient Rome by Mary Beard
Northmen: The Viking Saga, AD 793-1241 by John Haywood
River Kings by Cat Jarman 

Connor McCormack, Northport-East Northport Public Library



The Object at Hand: Intriguing and Inspiring Stories from the Smithsonian Collections by Beth Py-Lieberman

The Object at Hand gives a behind-the-scenes look at many items in the Smithsonian collections. The items are grouped into 13 different themes such as audacity, utopia, haunting, lost, optimism, rhythm, and revealing. This gives an emotional dimension to the objects, how they relate to each other, and how they fit into the larger American story. Items highlighted in the book include Thomas Jefferson’s Bible, John Lennon’s Stamp Collection, Alan Shepard’s Spacesuit, and the Hope Diamond. 

This was an interesting book. Over 100 objects are highlighted in 250 pages. Each item has 1-2 pages written about them starting with which museum the object could be found in, giving a brief description, history of the person/group it belongs to, and wraps in how the thematic chapter word relates to the object. I found the book interesting, but wished there were pictures of each object. I spent a lot of time using the Smithsonian Institution website to search the object to visually see what was being talked about. Unlike many Smithsonian books, this one is also in black and white, which loses some of the connection that would be found in colored pictures. I would recommend this book to anyone interested in little doses of history and would like a taste of what will be found on a trip to Washington D.C. 

Read-alikes:
All the Beauty in the World by Patrick Bringley
Rendez-vous with Art by Philippe de Montebello
The Boston Raphael by Belinda Rathbone

Nanci Helmle, The Smithtown Library - Commack Building



Disney's Land by Richard Snow

Richard Snow brings a factual account on how one of the greatest amusement parks came to be. This title discusses Walt Disney’s early life, building up to his ideas and reasons for wanting to create such a place. The author shares the challenges and setbacks in developing Disneyland, including finding a location, obtaining funding, and working with many who had limited knowledge of a skill while learning on the job. After building a miniature railroad of his own in his backyard, Walt was inspired to build something bigger so that the world can enjoy a clean park with an emphasis on having a happy staff. He decided to hire data analysts who examined the best developing area in California and bought property in Anaheim for $4,600 an acre. Walt’s brother, Roy Disney, took on the business end for Walt, managing to get ABC network to invest a half a million dollars in Disneyland. The author writes about the important figures who aided in the building and construction of Disneyland including Vice President C.V. Wood, engineer of the Mark Twain Joe Fowler, landscaping company the Evans Brothers, Arrow Development Co. who built Mr. Toad’s Wild Ride, the Tea Cups, and Harriet Burns, the first woman to be hired by Disney, who worked on props and miniature models.

When Disneyland finally opens, a televised show airs with host Art Linkletter announcing the parade, interviewing guests and providing a dedication to each land in the park. The show was a success, but on the inside of the park, it was a mess. Thousands of people were entering who really weren’t supposed to be there, causing long lines for attractions and bathrooms. They ran out of food, people left with paint stains on their clothing due to last minute paint jobs and the rides did not run smoothly. The press had a field day writing up all they saw on opening day, but it did not deter people from coming the next day. Eventually, with the right equipment and expertise, rides began operating correctly and soon more attractions were added. This non-fiction piece ends with Walt’s death from lung cancer. The light in Disney’s firehouse apartment burns all night long every night of the year. On the window are names that helped birth Disneyland along with phrases said by these dreamers. For a historical non-fiction story, the author clearly organizes the events chronologically in short chapters, appealing to any ride enthusiast and to anyone who wants to learn more about Disney’s dream. I felt the concise writing made this book appealing to those who enjoy less detail in informational pieces and the people introduced in each chapter made it a memorable story of the vision that came true.

Read-alikes:
Architects of an American Landscape by Hugh Howard
The Disney Animation Renaissance by Mary Lescher
Three Years in Wonderland by Todd James Pierce

Liana Coletti, West Islip Public Library



White House by the Sea by Kate Storey

The Kennedys are the closest thing to a royal family that America has ever seen. The Big House (as it was affectionately called) is the family home that provided stability for every event and emotion that the Kennedy family endured over the years—everything from over-the-top exhilaration to the darkest depths of despair.

The year is 1928. A family of “new-money Irish Catholics” move to a tight-knit community of wealthy, conservative residents. The residents of Hyannis Port did not flaunt their wealth, so one couldn’t help but notice when Joseph Kennedy arrived in a flashy, chauffeur-driven car. Though the Kennedy family was not readily accepted, neighbors did express that they felt that someone in the family was likely to end up being president of the United States—the family was that vivacious.

Joe Sr. came from a political family in the Boston area, so it was not surprising that he had political aspirations for his offspring, particularly his eldest son Joe Jr. The family was devastated when Joe Jr. was killed on a mission in Europe during WWII. The family rallied, as their philosophy was to keep moving forward, even under dire circumstances. John, the second eldest who also served during the war, was deemed a hero when he saved his PT crew after an attack in the Pacific. Upon his return home, it was understood that John would carry the torch that was originally meant for his older brother..

The Big House is portrayed as a haven, a gathering place, the backdrop for every Kennedy generation since the 1920s, through to this day. Author Kate Storey draws on hundreds of conversations with family members, friends, the Big House staff; oral histories, newspapers, and books in the writing of this comprehensive, easy-to-read history of a house that became an actual member of the Kennedy family. The happier times over the years are thoroughly examined, and a loving and supportive family unit is portrayed. And then there were the low points: the death of Joe Jr; the medical procedure that left daughter Rosemary permanently disabled; the assassination of President Kennedy; the assassination of presidential-hopeful Robert Kennedy; the incident at Chappaquiddick; the tragic plane crash that took the lives of John Jr. and his wife Carolyn. All of these milestones are covered extensively, and the book breathes life into the saga of a single family and the home they shared.

Read-alikes:
Astor: The Rise and Fall of an American Fortune by Anderson Cooper
Forever Young: My Friendship with John F. Kennedy, Jr. by William Noonan

Deborah Formosa, Northport-East Northport Public Library